Set in a dark Spanish forest in a very dark time -- , when Spain was still in the early stages of the fascist nightmare from which the rest of Europe was painfully starting to awaken -- "Pan's Labyrinth" is a political fable in the guise of a fairy tale. Or maybe it's the other way around. Does the moral structure of the children's story -- with its clearly marked poles of good and evil, its narrative of dispossession and vindication -- illuminate the nature of authoritarian rule? Or does the movie reveal fascism as a terrible fairy tale brought to life? The brilliance of "Pan's Labyrinth" is that its current of imaginative energy runs both ways.
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Pan's Labyrinth Film Analysis Essay
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However, while the monstrous Pan or, the Faun may be represented as such in the film, the purpose for his inclusion is largely different from the purpose for the inclusion of Polyphemus in Euripides ' play. Modern storytellers having recognized that monstrosity may exist in any number of forms helps to develop a basis. Although Spanish cinema only started to develop into a distinctive style later in the 20th century due to the end of censorship and propaganda regimes, some film makers. By the decision to act contrastingly to a set of opposing values, Proctor is still allowing his identity to be dependent on the sense of belonging established by the group he abhors.